Gear Talk Part II: The DSLR Years
“Bee and Wisteria” Aiken, SC, April 2019
Hello Friend,
Like most landscape photographers, I do not like photographing weddings.
OK, the only ones I really like doing are when it’s for someone in my family. Those I have done are all special, though the wedding for one of my sisters was the catalyst that changed my creative life.
It’s easy to picture the scene: A beautiful day on the beach, the day after Thanksgiving in 2016. A nice group of family and friends gather to witness my sister and her long-time partner finally tie-the-knot. Our dad walked her through the dunes to her waiting husband-to-be. Another of our sisters was there to perform the ceremony. And I was there dodging and weaving around the gathered guests to get those memorable moments. There is one moment that stands out in my mind, that I’m sure no one else even noticed or really cared about, but had a big impact on me.
The moment everyone waits for is of course when the minister proclaims the couple as husband and wife, and they get to kiss. The moment arrives, I think I’m ready, but … For a few moments all I get is the zzd-zzd-zzd of my little point-and-shot trying to focus and me panicking. Thankfully, the couple had no problem holding the kiss and I was able to finally get a frame or two. Phew.
“Not Fallen, Yet” Aiken, SC, March 2019
As I said, I don’t think anyone really noticed, and I was able to get many other photos that were still nice. But it did get me thinking and talking to my wife later about the idea of getting a “real” camera. I had enjoyed and did some fun things with my little point-and-shoot, but I missed the feel and control of having a camera that could do more. (Here’s a link to my early blog about it.) I did some research and for Christmas that year I gifted myself a Canon T6i and two beginner lenses.
Then I did what most aspiring photographers do when they get new gear: I played with it a few times over the holiday, and then it sat around the house until we went somewhere – like camping or our trip to the Pacific Northwest. Other than those times, I didn’t do much of anything with it. It was mainly for “special occasions” and surely not to be brought out for “every-day-use.”
When our daughter spent a semester in college in London in 2019, we flew over to spend some time with her. Of course the camera was packed for this “special occasion.” As we walked around London, the Lake District and Edinburgh, I was constantly finding things to photograph and getting excited about it again. After returning home, I showed some of the images to my coworkers. My boss, who is a wildlife photographer, suggested I start an Instagram account and post my work. Since I thought Instagram was for “real photographers” it took me a bit before I signed up.
“Castlerigg Stones at Dawn” Keswick, England May 2019
And of course, when you sign up for something like that, you need to start posting so your work gets seen. I started making the effort to go out a few times over the weekends. Then, on my way to work, I would start seeing ideas for photos. And if I wanted to post images and consider myself a photographer again, I thought I should start carrying my camera every day. Even though I’d had the camera for almost three years, I still only had the standard kit lenes. You all know the ones we all start out with: the plasticy,18mm-55mm and the 75mm-300mm. I was happy to have them. I didn’t “upgrade” and get another lens (the 55mm-250mm) until the fall of 2020.
I bring all this up in this week’s blog called “Gear Talk” to let you all know that what helped me the most to get better during this time wasn’t the gear, it was the time. It was taking the time before and after work to stop at local parks like the Carolina Bay, or pull over on the side of the road, that got my creativity really going. Then, during the summer of Covid in 2020, I gave myself the challenge to photograph as much as I could in the middle of the day. That’s right, in the summer, between 10 am and 3 pm, when every other “real landscape photographer” was inside editing their sunrise and sunset photos, I’d be out in the harshest, Southern light making images as best as I could. Even though I was working from home during that time, I learned a lot about my camera, my lenes, my yard, and my own creativity by discovering that “light is just light” – as Freeman Patterson said.
“The Big Reveal” Aiken, SC July 2020
As I started to post on Instagram, I felt very self-conscious as I began to notice others posting what cameras they were using. And of course, most – or at least the most I noticed – were all the top-of-the-line Canons and Nikons. I knew I had bought a starter camera, but did I need to let everyone else know it? Would they notice? Would they comment about it? Was my gear going to be the reason people didn’t start following me or liking my images? Yup, camera envy kicked in hard early on. So, I had to make a decision: Stop posting because I didn’t have a camera that might not be “good enough” for others. Or not post the info, and stop worrying about it. Considering I was not in any position to change cameras, and I was really enjoying photographing and posting, it came down to: I had to stop caring about what I had versus what everyone else had.
A few other things came about during these early years on IG. The first was it exposed me to many other types of photographers and photography. Second, it helped me establish my photo work habits. One of the trends I was drawn to was what was called “dark macro.” This was something small and interesting that was set against a black background. Most photographers I followed would either find something interesting and take it into their studio to light it and get the effect. Or they would just drop out the background in Photoshop. Since I didn’t have a studio with lights, and I didn’t want to spend that much time in Photoshop, I went out and bought some black posterboard. I would carefully set it up behind my subjects and right away, out in the field, I was making some dark macro work. I still keep some black posterboard in my car to use, because I still really like the look it creates.
Thank you and keep creating what you do.
Patrick Krohn
August 2026
“The Outsider” Aiken, SC, June 2021
Because I wanted to get my work out there, I started posting more often. And if I wanted to post more often, I needed to find and create more photos. Those first two or three years on IG with my little DSLR, I was posting two, three and sometimes four images a day. I was now really exploring my yard, my neighborhood, my town and the surrounding communities. I was having a blast, because I was really beginning to notice photo opportunities everywhere. And I started to get over the camera envy, because if I wanted to keep doing this, it had to stop mattering what gear I had or didn’t have.
Part of all of this exploring was the discovery of the Carolina Bay that was right on my way to work. (I’m not posting any photos from there this time, though you can follow the link above to explore that studio.) When I made one of my most well-known images of that bald cypress in its full, fall glory, it was with this T6i and the plasticky starter lens. When I first posted it and then made my first print of it, I thought people would dismiss it since it wasn’t made with a much better set up. But want that image really taught me was: People don’t care about the camera that made it. They care about the image and the mind behind the creation.
“Dusty Back Road” Aiken County, SC, July 2019
It’s funny, that when I first was using my little DSLR, I was worried it wasn’t good enough. Now I like showing off some of the images it helped me create, so that I can hopefully help others get over their camera envy.
There is a very good quote by Peter Adams I like to use in my photo classes, and I will use to close out this blog: “Photography is not about cameras, gadgets and gizmos. Photography is about photographers. A camera didn’t make a great picture any more than a typewriter (computer) wrote a great novel.”
My challenge this week is to go out and create something with whatever you have at hand…
